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Review: The Florida Project takes a smart, nuanced look at poverty

Willem Dafoe, left, and Brooklynn Prince in a scene from The Florida Project.


3.5 out of 4 stars

The Florida Project
Written by
Sean Baker and Chris Bergoch
Directed by
Sean Baker
Willem Dafoe, Brooklynn Prince and Bria Vinaite

After reaching unprecedented highs with 2015's Tangerine, director Sean Baker again turns to those making do on the fringes of society with The Florida Project. The material could easily slip into a fetishization of poverty – claims that dogged The Florida Project's most immediate comparison, last year's American Honey – but Baker is too smart and unsentimental for that charge to stick.

Instead, he turns a careful, nuanced eye to the young children running amok around a discount Orlando motel, mostly six-year-old Moonee (the remarkable Brooklynn Prince), who spends her day both dodging and creating trouble. Overseeing the scene is the exhausted but kind-hearted hotel manager Bobby (a never-better Willem Dafoe), a protector of misfits and punisher of monsters.

A few notes hit the expected chords a little too hard – the film takes place at a motel called the Magic Castle, in the shadow of the Disney behemoth – but Baker mostly crafts a tiny adventure of absorbing wonder.

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About the Author

Barry Hertz is the deputy arts editor and film editor for The Globe and Mail. He previously served as the Executive Producer of Features for the National Post, and was a manager and writer at Maclean’s before that. His arts and culture writing has also been featured in several publications, including Reader’s Digest and NOW Magazine. More


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