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Diaz: Don’t Clean up This Blood: Flimsy re-enactments undermine the gravity of the Genoa G8

Alma Koch (Jennifer Ulrich) in Don’t Clean Up This Blood.

2 out of 4 stars

Title
Diaz: Don’t Clean up This Blood
Written by
Daniele Vicari, Laura Paolucci, Alessandro Bandinelli and Emanuele Scaringi
Directed by
Daniele Vicari
Starring
Elio Germano, Claudio Santamaria
Genre
Drama
Country
Italy
Language
English

An intense, if ultimately counter-productive attempt to create the experience of protesters who were attacked by police at the Genoa G8 protests in 2001, the multi-lingual Italian film Diaz: Don't Clean Up This Blood (the title comes from a protest sign after the raid) puts the viewer in the middle of flailing truncheons and tumbling bodies without necessary context.

The re-enactments conform with testimonials of the participants in what Amnesty International, quoted in the film, called "the most serious suspension of human rights in a Western country since the Second World War" but, ultimately, the effect of the film is more numbing than enlightening.

Focusing on interrelated stories, the story jumps between cops, protesters of the Genoa Social Forum (holed up at an empty Armando Diaz school that was their sleeping quarters) and journalists at the nearby Independent Media Centre, which was also raided.

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While the film shows anarchists overturning a car and exploding a Molotov cocktail beneath it, sympathies are overwhelmingly with the young hippie-like protesters without making it clear exactly what they were protesting against.

The few characters that emerge from the melee include a Roman journalist (Elio Germano), a good cop, Max (Claudio Santamaria), who tries to stop his comrades, and Alma (Jennifer Ulrich), a German demonstrator whose humiliation at the hands of police continues on through her night in jail.

Ultimately, though, a clear-eyed documentary would have served better to communicate the gravity of this history than these thin characterizations and dramatizations.

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About the Author
Film critic

Liam Lacey is a film critic for The Globe and Mail. More

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